翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Tamil Sangam : ウィキペディア英語版
Tamil Sangams

The Tamil Sangams or ''Cankams'' were assemblies of Tamil scholars and poets that, according to traditional Tamil accounts, occurred in the remote past. Scholars believe that these assemblies were originally known as kooṭam or ''gathering''. which was also a name for Madurai. Three assemblies are described. The legend has it that the first two of which were held in cities since "taken by the sea", and the third of which was held during the 5th century BC in the present-day city of Madurai. The word sangam has its mention in the sense of an 'academy' in several Tamil literary works like Tevaram, Thiruvilayadal puranam, periyapuranam and Irayanar Ahaporul. Also legend has it that Nammazwar's Thiruvaimozhi was approved in an assembly of 300 poets.〔Studies in Tamil Literature and History Vol 5 by Ramachandra Dikshitar〕
The Sangam period extended from roughly 350 BC to 300 AD (early chola period before the interregnum), when the earliest extant works of Tamil literature were created (also known as Sangam literature).〔Kamil Veith Zvelebil, ''Companion Studies to the History of Tamil Literature'', pp12〕〔See K.A. Nilakanta Sastry, A History of South India, OUP (1955) pp 105〕 However, the name ''Sangam'' and the associated legends probably derive from a much later period.〔Appar mentions the Sangam in his 'poem ''Tirupattur Tandakam''. Referring to Siva, he says: 'Look at Him who was gracious enough to appear in the ''Sangam'' as a poet of fine poems' – K.V. Zvelebil, ''The smile of Murugan'', pp 46〕
Whilst the accounts of first two Sangams are generally rejected as ahistorical, some modern scholars, such as Kamil Zvelebil, find a kernel of truth in them, suggesting that they may be based on one or more actual historical assemblies. Others reject the entire notion as infactual.〔"The facts mentioned above have persuaded some scholars to consider that everything about the Sangam found in that commentary to be fabrication. But the more sober view of the matter seems to be to accept the main framework of the traditional account... In this there can be no historical impossibility. The legendary and supernatural frills provided by that commentary can of course be rejected." 〕 Nevertheless, legends of the Sangams played a significant role in inspiring political, social, and literary movements in Tamil Nadu in the early 20th century.
==Sangam legends==
Early literature from the pre-Pallava dynasty period does not contain any mention of the Sangam academies, although some early poems imply a connection between the city of Madurai, which later legends associate with the third Sangam, and Tamil literature and the cultivation of the language. The earliest express references to the academies are found in the songs of Appar and Sampandar, Shaivite poets who lived in the 7th century.〔.〕 The first full account of the legend is found in a commentary to the ''Iraiyanar Akapporul'' by Nakkīrar (c. seventh/eighth century BCE). Nakkīrar describes three "Sangams" (''caṅkam'') spanning thousands of years. The first Sangam (''mutaṟcaṅkam'')mudharchangam is described as having been held at "the Madurai which was submerged by the sea", lasted a total of 4400 years, and had 549 members, which supposedly included some gods of the Hindu pantheon such as Siva, Kubera and Murugan. A total of 4449 poets are described as having composed songs for this Sangam. There were 89 Pandiya kings starting from Kaysina valudi to Kadungon were decedents and rulers of that period.〔P.T. Srinivasa-iyengar, 1929, p.230〕 The grammar followed in the first sangam was agattiyam. The poems composed were Paripaadal, mudunarai, mudukurugu, kalariyavirai. If credence is given to the commentary of Irayanar Ahapporul, the beginning of sangam should be placed somewhere in 9000 B.C.〔
The second Sangam (''iṭaicaṅkam'')idaichangam was convened in ''Kapatapuram''. This Sangam lasted for 3700 years and had 59 members, with 3700 poets participating. There were 59 Pandiya kings starting from Vendercceliyan to Mudattirumaran were decedents and rulers of that period.〔P.T. Srinivasa-iyengar, 1929, p.231〕 This city was also submerged in sea. Ramayana and Arthasastra of Kautalya corroborates the existence of a city named kavatapuram. There is a reference to a south Indian place called kavata by sugriva in a verse which runs something like 'having reached Kavata suitable for Pandiya'. The place kavata is also mentioned by Kautalya in Arthasastra. The grammar followed was budapuranam,agattiyam,tholkaapiyam,mapuranam and isainunukkam. The poems attributed to second academy are Kali,Kurugu,vendali and viyalamalai ahaval.〔 The third Sangam (''kaṭaicaṅkam'')kadaichangam was purportedly located in the current city of Madurai and lasted for 1850 years. There were 49 Pandiya kings starting from Mudattirumaran (who came away from Kabadapuram to present Madurai) to Ukkirapperu valudi were decedents and rulers of that period.〔P.T. Srinivasa-iyengar, 1929, p.231-232〕 The academy had 49 members, and 449 poets are described as having participated in the Sangam. The grammars followed were agattiyam and tholkappiyam. The poems composed were Kurunthogai,Netunthogai, kurunthogai nanooru, narrinai nanooru, purananooru, aingurunooru,padirrupaatu, kali,paripaadal,kuttu,vari,sirrisai and perisai.〔
There are a number of other isolated references to the legend of academies at Madurai scattered through Shaivite and Vaishnavite devotional literature throughout later literature. The next substantive references to the legend of the academies, however, appear in two significantly later works, namely, the ''Thiruvilaiyadal Puranam'' of Perumpaṟṟapuliyūr Nambi, and the better-known work of the same title by Paranjothi Munivar. These works describe a legend that deals mostly with the third Sangam at Madurai, and is so substantially different from that set out in Nakkirar's commentary that some authors such as Zvelebil speculate that it may be based on a different, and somewhat independent, tradition.〔.〕 In Nambi's account, the 49 members of the third Sangam led by Kapilar, Paraṇar and Nakkīrar were great devotees of Shiva, numbered amongst the 63 nayanars. Nakkirar himself is said to have later headed the Sangam, and to have debated Shiva. The Sangam is described as having been held on the banks of the Pond of Golden Lotuses in the Meenakshi-Sundaresvarar Temple in Madurai.
In contemporary versions of the legend, the cities where the first two Sangams were held are said to have been located on Kumari Kandam, a fabled lost continent, that lay to the South of mainland India, and which was described as the cradle of Tamil culture. Kumari Kandam supposedly lay south of present-day Kanyakumari District and, according to these legends, was seized by the sea in a series of catastrophic floods.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Tamil Sangams」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.